How to Use TIME FACTORY II for Windows 7 64-bit - A Comprehensive Guide
Time Factory 2: A Professional Tool for Audio Time Stretching and Pitch Shifting
If you are looking for a powerful and versatile tool to manipulate the duration and pitch of any audio file, you might want to check out Time Factory 2 by Zynaptiq. This standalone application for Mac OS X is designed for high-quality audio time stretching and pitch shifting, with a range of features and options that make it suitable for various purposes and scenarios. Whether you need to perform frame rate conversion for film sound, change the tempo and/or pitch of music tracks for production or remixing, design new sounds or slow down music for transcription, Time Factory 2 can handle it with ease and precision.
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What is Time Factory 2 and what can it do?
Time Factory 2 is a standalone application for Mac OS X that allows changing duration and pitch of any audio file with high quality and precision.
Time stretching is the process of changing the length of an audio signal without affecting its pitch. Pitch shifting is the process of changing the pitch of an audio signal without affecting its length. Both processes can be useful for various applications in music production, sound design, post-production, broadcasting, education, and more.
Time Factory 2 is a standalone application that does not require any host software or plug-in format. It can process any audio file independently over a very wide range of stretch ratios, from as little as one percent to as much as ten thousand percent. It can also transpose any audio file up or down by up to four octaves.
Time Factory 2 features five industry standard algorithms, supports multichannel processing, meta-data preservation, formant shifting and correction, and more.
Time Factory 2 uses the critically acclaimed MPEX, ZTX and ClearScale algorithms developed by Zynaptiq's partner Prosoniq. These algorithms are known for their superior sound quality and flexibility when stretching or shifting audio. Each algorithm has its own strengths, parameters, and applications, giving you the option to choose the best one for your needs.
Time Factory 2 also supports phase-synced processing of mono, stereo, and multichannel files up to 384 kHz sample rate. It can handle all popular audio file types including broadcast formats with meta-data preservation. It also features industrial-grade batch processing as well as formant shifting and correction. Formants are the frequency components that give voice or musical instruments their characteristic timbre. By shifting or correcting them, you can change the perceived gender or size of the source without affecting the pitch. For example, you can make a male voice sound more feminine or vice versa.
How to use Time Factory 2?
Time Factory 2 is fast and easy to use. You just need to drop some files onto the application, set the stretching/shifting amount, and hit process.
Using Time Factory 2 is very simple and intuitive. You can drag and drop any audio files from your computer or Finder onto the application window. You can also use the File menu to open or import files. You can add as many files as you want and process them individually or in batch mode.
Once you have added some files, you can select them and adjust the stretching/shifting amount using the sliders or the numeric fields. You can also enter the desired duration or pitch in various units of measurement, such as hours/minutes/seconds, percentage, BPM, FPS, pitch transposition, or sample frames. You can preview the results in real time using the play button.
When you are satisfied with the settings, you can hit the process button and wait for Time Factory 2 to do its magic. The processed files will be saved in the same folder as the original files with a suffix indicating the algorithm and the stretch factor. You can also change the output folder and file name format in the preferences menu.
Time Factory 2 lets you enter the stretching factor in various units of measurement, such as hours/minutes/seconds, percentage, BPM, FPS, pitch transposition, or sample frames.
One of the great features of Time Factory 2 is that it allows you to enter the stretching factor in different ways depending on your needs and preferences. For example, if you want to change the duration of a file from 10 minutes to 15 minutes, you can enter either 150% or 15:00 in the stretch field. If you want to change the tempo of a music track from 120 BPM to 150 BPM, you can enter either 125% or 150 BPM in the stretch field. If you want to change the pitch of a file by one semitone up, you can enter either +1 or +100 cents in the shift field. If you want to change the frame rate of a film sound from 24 FPS to 25 FPS, you can enter either 104.167% or 25 FPS in the stretch field. If you want to change the sample rate of a file from 44.1 kHz to 48 kHz, you can enter either 108.68% or 48000 in the stretch field.
Time Factory 2 will automatically convert your input to the appropriate unit of measurement and display it in the corresponding field. You can also switch between different units of measurement by clicking on them or using keyboard shortcuts.
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Why choose Time Factory 2?
Time Factory 2 offers unparalleled fidelity and timing accuracy when stretching audio, thanks to its extremely high precision mathematics.
Time stretching and pitch shifting are complex processes that involve altering the frequency and phase relationships of an audio signal. If done poorly, they can introduce artifacts such as distortion, aliasing, noise, glitches, or loss of synchronization. Time Factory 2 avoids these problems by using extremely high precision mathematics that preserve the original sound quality and timing accuracy of any audio file.
Time Factory 2 uses a proprietary algorithm called MPEX (Multi Phase Extrapolation) that is based on advanced signal processing techniques such as Fourier analysis and spectral interpolation. MPEX is capable of stretching audio by up to ten thousand percent without introducing any audible artifacts or degradation. MPEX is also very flexible and adaptable, allowing you to fine-tune various parameters such as transient detection, spectral smoothing, phase coherence, and more.
Time Factory 2 gives you the freedom to choose from five different algorithms depending on your preference, signal type, and intended result.
In addition to MPEX, Time Factory 2 also offers four other algorithms that are based on different principles and methods of time stretching and pitch shifting. Each algorithm has its own advantages and disadvantages depending on your preference, signal type, and intended result. You can switch between different algorithms by clicking on their icons or using keyboard shortcuts.
The five algorithms are:
Algorithm
Description
MPEX
The most advanced and versatile algorithm that offers high-quality results for any type of audio signal over a very wide range of stretch ratios.
ZTX
A fast and efficient algorithm that uses a time-domain approach based on zero-crossing detection and linear interpolation. It works well for percussive and rhythmic sounds with moderate stretch ratios.
ClearScale
A simple and robust algorithm that uses a frequency-domain approach based on FFT and phase vocoding. It works well for harmonic and tonal sounds with moderate to high stretch ratios.
Prosoniq DIRAC
A proprietary algorithm developed by Prosoniq that uses a hybrid approach based on time-domain and frequency-domain techniques. It works well for complex and polyphonic sounds with moderate to high stretch ratios.
Prosoniq MPEX2
An older version of the MPEX algorithm that is compatible with the